SUPPORT MATERIAL FOR GEORGIA MILL & FREYA PITT

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-Moving Image Material Below Stills-

Georgia Mill, Foot Portrait interviews, 2016. Live-Art as part of Getting to Know You exhibition, Ins Tinc AIR, Singapore.

(Example of recent work. Live art work involving interviews)

Georgia Mill, Foot Portrait projection series, 2016. Live-Art as part of Getting to Know You exhibition, Ins Tinc AIR, Singapore. Dimensions variable.

Georgia Mill, Getting to know you, 2016. Ink on paper, Ins Tinc ARI, Singapore (Example of recent work)

the beasts

Georgia Mill, Lines We Might Have Walked, 2013. Live-Art, ICU, Punctum, Castlemaine,Victoria.

Photo credit: Danielle Bain. (Example of recent work. Live art work involving interviews)

Georgia Mill, Accidentally Ugly, 2012. Set Design, St Martins Youth Arts Centre, South Yarra, Victoria.

Photo credit: Pia Johnson. (Example of past work. Large scale design and construction of a theatre set)

Georgia Mill, Looking In, 2012. Public Art, Nocturnal Festival, Dandenong City, Melbourne,Victoria. 40cm x 40cm x 40cm.

(Example of past work. Public art installation involving sculpture and AV set up for lights.)

Georgia Mill, Places We Make For People We Love, 2011. Solo performance, Hatched Festival, St Martins Youth Arts Theatre, South Yarra. Papier-mâché and wire construction, suspended from wooden frame. Photo credit: Marisa Cuzzolaro

Freya Pitt, The Pursuit of Wholeness, 2015, Collins St Baptist Church, White Night Melbourne. Performance and new media installation.

Freya Pitt, An Infinitessimal Pause, 2014, First Site Gallery, Melbourne. Interactive Projection.

Freya Pitt, The Beasts from Behind, 2013, City Square, White Night Melbourne. Interactive Projection.

Freya Pitt - Moving Image Support [8min]

- works in order of appearance -

[well, tiny snippets of each work, anyway]

The beat in my heart and yours, 2012, interactive projection series, Kings Ari

The Beasts From Behind, 2013, Interactive projection, City Square, White Night Melbourne

The Skies Are On The Ground, 2014, Interactive projection, City Square, White Night Melbourne

We Are Always Making, 2015, digital projection, Lead artist commission by RMIT Urban Laboritory

Once Psyche Was, 2016, digital animation

Georgia Mill - Moving Image Support [2min]

Georgia Mill, Places We Make For People We Love, 2011. Solo performance, Hatched Festival, St Martins Youth Arts Theatre, South Yarra. Papier-mâché and wire construction, suspended from wooden frame. Photo credit: Marisa Cuzzolaro